Production:
Conjunto Cumanana
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.
On March 13, 1960, Victoria and NIcomedes, directors of the Company, premiered at the Teatro 'La Cabaña' the plays 'Callejón de un solo caño' (original comedy by both brothers); 'Academia folklórica' (comic play by Victoria) and 'Zanahary' (choreographic ritual by Victoria). Set designs by Odile Marley.
Brief review.
In mid-1958, Nicomedes, at the head of a group of amateurs, founded the Conjunto Cumanana with the purpose of staging his décimas on folkloric themes and give them a mixed structure of recitation, song and dance, in the form of small, objective, didactic and entertaining prints. On December 10 of that same year he presented his Conjunto for the first time at the Teatro Perricholi. It was formed by Carlos Hayre, Antonio Velásquez, Lucho, Juanona, Vicente and Oswaldo Vásquez. Later Carmen Carvallo, Teresa and Nelly Mendoza, Ronaldo Campos and Héctor Albújar joined the cast, performing with great success in the Saturday Creole programs of Radio Nacional del Perú.
​
At the end of 1959, Nicomedes requested the collaboration of his sister Victoria. From that moment on, the Cumanana Ensemble became the Cumanana Company and went from the revisteril stamp, to what could well be the initiation of the Black Theater of Peru. The Cumanana Company came to have a cast of more than thirty artists.